Category: Non classé

Today is the official opening of the 2015 edition of Encontros da Imagem, at 18h00, at Mosteiro de Tibães.
New visions of Chinese photography: Poems & Collection: Ren Hang, Bessard Collections & Lin Zhipeng (also known as “N•223” and Pierre Bessard’s collection. The vision’s sense and the image itself, already carry with them ambiguities and contradictions. The vision, when perceived as the “act of seeing ” , has the ability to observe, verify, certify. But, concurrently, it has the uncertainty of the illusion and delusion, of the fascination and wonder. In that odyssey through the multiple visions of such a different language like the Chinese photography,we highlight a new generation of eastern photographers who rise over to a visionary universe of the eastern photography fields.

Éditions Bessard will present a considerable part of their magnificent collection of PhotoBooks and objects, cameras, proofs, which reveal the endless narratives that serve as motto for a journey through the myths and visions of the new Chinese photography.

New visions of Chinese photography: Poems & Collection: Ren Hang, Bessard Collections & Lin Zhipeng (also known as “N•223” and Pierre Bessard’s collection. The vision’s sense and the image itself, already carry with them ambiguities and contradictions. The vision, when perceived as the “act of seeing ” , has the ability to observe, verify, certify. But, concurrently, it has the uncertainty of the illusion and delusion, of the fascination and wonder. In that odyssey through the multiple visions of such a different language like the Chinese photography,we highlight a new generation of eastern photographers who rise over to a visionary universe of the eastern photography fields.

New visions of Chinese photography: Poems & Collection: Ren Hang, Bessard Collections & Lin Zhipeng (also known as “N•223” and Pierre Bessard’s collection. The vision’s sense and the image itself, already carry with them ambiguities and contradictions. The vision, when perceived as the “act of seeing ” , has the ability to observe, verify, certify. But, concurrently, it has the uncertainty of the illusion and delusion, of the fascination and wonder. In that odyssey through the multiple visions of such a different language like the Chinese photography,we highlight a new generation of eastern photographers who rise over to a visionary universe of the eastern photography fields.

New visions of Chinese photography: Poems & Collection: Ren Hang, Bessard Collections & Lin Zhipeng (also known as “N•223” and Pierre Bessard’s collection. The vision’s sense and the image itself, already carry with them ambiguities and contradictions. The vision, when perceived as the “act of seeing ” , has the ability to observe, verify, certify. But, concurrently, it has the uncertainty of the illusion and delusion, of the fascination and wonder. In that odyssey through the multiple visions of such a different language like the Chinese photography,we highlight a new generation of eastern photographers who rise over to a visionary universe of the eastern photography fields.

New visions of Chinese photography: Poems & Collection: Ren Hang, Bessard Collections & Lin Zhipeng (also known as “N•223” and Pierre Bessard’s collection. The vision’s sense and the image itself, already carry with them ambiguities and contradictions. The vision, when perceived as the “act of seeing ” , has the ability to observe, verify, certify. But, concurrently, it has the uncertainty of the illusion and delusion, of the fascination and wonder. In that odyssey through the multiple visions of such a different language like the Chinese photography,we highlight a new generation of eastern photographers who rise over to a visionary universe of the eastern photography fields.

New visions of Chinese photography: Poems & Collection: Ren Hang, Bessard Collections & Lin Zhipeng (also known as “N•223” and Pierre Bessard’s collection. The vision’s sense and the image itself, already carry with them ambiguities and contradictions. The vision, when perceived as the “act of seeing ” , has the ability to observe, verify, certify. But, concurrently, it has the uncertainty of the illusion and delusion, of the fascination and wonder. In that odyssey through the multiple visions of such a different language like the Chinese photography,we highlight a new generation of eastern photographers who rise over to a visionary universe of the eastern photography fields.

New visions of Chinese photography: Poems & Collection: Ren Hang, Bessard Collections & Lin Zhipeng (also known as “N•223” and Pierre Bessard’s collection. The vision’s sense and the image itself, already carry with them ambiguities and contradictions. The vision, when perceived as the “act of seeing ” , has the ability to observe, verify, certify. But, concurrently, it has the uncertainty of the illusion and delusion, of the fascination and wonder. In that odyssey through the multiple visions of such a different language like the Chinese photography,we highlight a new generation of eastern photographers who rise over to a visionary universe of the eastern photography fields.[author] [author_image timthumb=’on’][/author_image] [author_info]Le contenu va ici[/author_info] [/author]

Installation this morning of the Éditions Bessard’s collection in a Cabinet of Curiosity. New Visions of Chinese photography at the

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with Ren Hang and 223 and me: Power and Illusion, Encontros da Imagen, 25e Edition.

Installation this morning of my collection in the Cabinet of Curiosity New Visions of Chinese photography at the Museu Noguira da Silva with Ren Hang and 223 and me Power and Illusion Encontros da Imagen.