REN HANG x GALERIE NICOLAS HUGO

5 rue de Medicis 75006 Paris

24 octobre 2014
17h00 – 22h00

Lucie Rego est co-curator de cette exposition.

Cristina de Middel transforma favela em fundo do mar e polícia em tubarão http://entretempos.blogfolha.uol.com.br/2014/10/15/cristina-de-middel-transforma-favela-em-fundo-do-mar-e-policia-em-tubarao/

Pour information je serais a Photolivre – Journées du Livre de Photographies de… Fontainebleau le vendredi 17, samedi 18 et dimanche 19 octobre, l’occasion pour les collectors de découvrir nos dernières nouveautés et projets à venir. Bienvenue à Tous.     Pierre

BRIAN GRIFFIN – AUCTION OF WORKS (1973–2013) – LOT 10‏

ednesday, November 26 at 6:30pm
Doors open: 6.30pm
Auction begins: 7.00pm

Kingsway Hall Hotel – 66 Great Queen Street, WC2B 5BX London, United Kingdom

A project photobook on the way with Ed Templeton, accordion book… a big surprise for 2015

Available in November! a Double page of the next photobook of Tiane Doan Na Champassak “Kolkata”.
Limited edition of 500 copies, numbered and signed by the artist,152 pages, 22 x 30cm. Price 75€

Available in November! a Double page of the next photobook of Tiane Doan Na Champassak “Kolkata”.
Limited edition of 500 copies, numbered and signed by the artist,152 pages, 22 x 30cm. Price 75€

Love the gif of the artist Kevin Weir!  http://kevinjweir.com/index.php?/notads/the-flux-machine/

“August, 1943. Night is falling on Calcutta, silencing its flocks of ravens, but wakening another kind of life – a feverish, hidden one : in the Maidan, that open space at the city’s heart, there are shadows waiting.”

My uncle, Thaï Doan na Champassak, published Ancestral Voices by Collins – London in 1956 and began his autobiography with this sentence. Mobilised in Algiers during the Second World War, he was sent to China as a trained parachutist in charge of a secret mission destined for clandestine entry into Indochina, then occupied by the Japanese. This extraordinary story has its beginnings in Calcutta, the starting point for his mission to Chungking. In the first chapter he gives a vivid description of the ex-capital of British India just four years before independence. Having travelled frequently to India since 1996 it never occurred to me that Kolkata (formerly the anglicised name Calcutta) would inspire me to produce a body of work focused on its street life and I owe it to my uncle for giving me that desire. In fact it is in the streets of Kolkata that I find the most absolute representation of Indian reality. It is also the only city which holds such an intense concentration of extremes; quiet and loud, rich and poor, clean and dirty, modern and old, beautiful and ugly, past and present. This continuous duality has become my leitmotiv and is the reason I deliberately chose to focus on its street life in order to best represent the chaos of this huge megalopolis of over fifteen million inhabitants.  – Tiane Doan na Champassak

“August, 1943. Night is falling on Calcutta, silencing its flocks of ravens, but wakening another kind of life – a feverish, hidden one : in the Maidan, that open space at the city’s heart, there are shadows waiting.”

My uncle, Thaï Doan na Champassak, published Ancestral Voices by Collins – London in 1956 and began his autobiography with this sentence. Mobilised in Algiers during the Second World War, he was sent to China as a trained parachutist in charge of a secret mission destined for clandestine entry into Indochina, then occupied by the Japanese. This extraordinary story has its beginnings in Calcutta, the starting point for his mission to Chungking. In the first chapter he gives a vivid description of the ex-capital of British India just four years before independence. Having travelled frequently to India since 1996 it never occurred to me that Kolkata (formerly the anglicised name Calcutta) would inspire me to produce a body of work focused on its street life and I owe it to my uncle for giving me that desire. In fact it is in the streets of Kolkata that I find the most absolute representation of Indian reality. It is also the only city which holds such an intense concentration of extremes; quiet and loud, rich and poor, clean and dirty, modern and old, beautiful and ugly, past and present. This continuous duality has become my leitmotiv and is the reason I deliberately chose to focus on its street life in order to best represent the chaos of this huge megalopolis of over fifteen million inhabitants.  – Tiane Doan na Champassak